A little peek into my process. I’m working on the bright greens here with a variety of tools: knives of two different sizes, and a small Catalyst brand squeegee (my favorite new tool).
Below is the finished painting: Contemplation, a 36″ x 48″ acrylic on gallery-wrapped canvas.
If you’re interested in acquiring this painting, feel free to contact me with any questions: firstname.lastname@example.org. Or call 616-723-6600 (cell). I’d also love to hear any comments or general questions you have; and would be interested to know if you’d like to see more videos.
Recent critique from Liz Erlewine, Director of Crooked Tree Arts Center: “I find artist Karin Nelson’s brushwork and mark-making to be utterly compelling. The way she mixes hard and soft edges is so rich and expressive, as is the way she merges specific and descriptive marks with the pure, raw physicality of paint.”
The “Water and Color” series continues. I expected to be exploring new colors and seasons by this point, but find that I’m not ready to move past the subtle gray-blues combined with happy greens and whites. Something new is learned with each painting.
I feel ridiculously blessed to be able to express that abstract feeling that stirs around deep inside. And even more so that these expressions resonate with so many of you, and ultimately find their places in your homes.
Feel free to contact me with any questions or to inquire regarding a purchase: 616-723-6600 (cell). More information is available on the Contact page.
You’ll probably notice this isn’t a typical composition for me. However, those trees were proud as can be, standing in the middle of the field. How could I break their hearts and not paint them front and center?
Hopefully you can zoom in to see the farm in the far distance. This was a truly inspiring sight, on Perry Road, just west of A-37. How blessed am I, that these oh-so-varied rural scenes are only minutes from our house?!
I love when paintings surprise me…taking me on a path that wasn’t planned. Such was the case toward the end of this piece.
One of these days soon, I’m going to figure out how to outsmart my iPad camera, which tends to take everything in “cool” tones. In the meantime, I’ll insert my recently-common disclaimer: the painting is a little “warmer” in color than this photo.